2011 Robert Morgan, “Yuriko Yamaguchi at Howard Scott Gallery,” Asian Art News, Vol.21 Num6, Nov/Dec
2011 Janet Koplos, “Yuriko Yamaguchi, Howard Scott,” Art in America, Nov. 2011
2011 Rob Jordan, “Fragile Connection”, Sculpture Magazine, Pg50-55, May issue
2008 Chloe Popescu, “ A hidden MASTER”, Hatchet, September 11, 2008
2008 Michael Laris, “Artist Untangles Roots of Creativity”, Washington Post, May 30
2008 Aneta Georgievska-Shine, “Yuriko Yamaguchi”, Art US Issue 21
2007 Blake Gopnik, “She Just Felt It In Her Bones”, Washington Post, October 14
2007 Michael O’Sullivan, “The Quiet Pull of the ‘Bader Fund’ Show”, Washington Post, January 12
2005 Dan R. Gooddard, “‘Floating’ Worlds Occupy Gallery Space”, San Antonio Express News, November
2005 Nord Wennesrstom, “Critics Picks: Washington, DC/ Yuriko Yamaguchi”, Art Forum, November
2005 Jessica Dawson, “Come On In, The Installation’s Fine”, Washington Post, November 19
2005 Susan Bear, “Painting the town: Washington artists create important works, but often they are better
known elsewhere than here at home. Here’s a look at five of the city’s most renowned.”
Washingtonian, October
2005 Jack Fischer, “Natural Acts”, San Jose Mercury, July 3
2005 Yoko Morihiro, “People: Sculptor Yuriko Yaaguchi”, Hokubeimainichi, July 2
2005 “Works by Nikkei Artists at Palo Alto Art Center”, Hokubeimainichi, June 17
2004 “My Favorite Things: From Shape to Shape, Yuriko Yamaguchi, Metamorphosis #95, 98, 99, 97, 101″,
Geiyutsu Shinchou
2004 “Kanji Wakae, Yuriko Yamaguchi: Two Veterans Who Reflect on Our Cultures”, Yomiuri Shinbun
2004 Haruo Mita, “Today’s Artists IX Kanji Wakae, Yuriko Yamaguchi”, Mainichi Shinbun, September 6
2004 Kousei Katsura, “Expressing Life Cycle”, Kanagawa Shinbun, September 2
2004 Fujio Yagyuu, “Art Critique of Kanagawa”, Bunka, September 3
2003 Paula Owen, “Quotidian Practice, Inordinate Content”, Art Lies 40, Fall 2003
2003 Sarah Tanguy, “Washington, DC Yuriko Yamaguchi, Numark Gallery”, Sculpture, December
2003 Joe Shannon, “Yuriko Yamaguchi at Numark”, Art in America, September
2003 Jessica Dawson, “Yamaguchi’s Tangled ‘Web’, Ensnaring the Imagination”, The Washington Post,
May 29
2003 Joanna Shaw Eagle, “Yamaguchi’s ‘Web’, Numark installation evokes life’s changes”, The
Washington Times, May 24
2002 “Artist Yuriko Yamaguchi’s show to open at Sheehan Gallery”, Marquee, August 28-September 4
2002 Galleries, Koplin Gallery, Los Angeles, CA, Los Angeles Times, May 30
2002 Kazuko Nakane, “Installation by Yuriko Yamaguchi”, International Examiner
2002 Sheila Farr, “Yuriko Yamaguchi spins a web of poetic sculptures”, Seattle Times, February 15
2001 R. B. Strauss, “July brings no slowdown at DCCA”, Art Matters, July
2001 Delaware Center for Contemporary Arts, Sunday News Journal, June 24
2001 “Delaware art center offers variety of exhibits”, Greenvillage Community News, July 17
2001 Gary Mullinax, “Begin picture-perfect exhibitions tour at DCCA”, Sunday News Journal, July 15
2000 Deborah McLeod, “Memorable Achievements”, Style Weekly, December 26
2000 Jiso Komuro, “Yuriko Yamaguchi”, JIS Newsletter
2000 “Yuriko Yamaguchi: Georgia on My Mind”, Atlanta, GA Sculpture, November
2000 Jenny Ramirez, “Visual Poetry”, Style Weekly, October 10
2000 Roy Proctor, “Some smile-producing thought provocative pieces,” Richmond Times, October 8
2000 Shoichi Inoue, Art Exhibitions Commentary, Summer
2000 Joanna Shaw Eagle, “Divergent Artistic Views Emerge as Group at Numark”, The Washington Times,
July 15
2000 Sarah Tanguy, “Yuriko Yamaguchi”, Numark Gallery, Sculpture, May
2000 Shoji Inoue, “Yuriko Yamaguchi’s Exhibition”, Chunichi Shinbun, April 24
2000 Listed in Who’s Who American and in Women Who’s Who American
1999 Ferdinand Protzman, “The Form of a Question: Yuriko Yamaguchi’s Enigma Variations”, The
Washington Post, September 16
1999 Joanna Shaw Eagle, “Metamorphosis, Changing as Cycles of Life Progress”, The Washington Times,
September 18
1999 Scarlet Cheng, “Yuriko Yamaguchi: Koplin Gallery, Los Angeles”, Art News, July
1997 Carol L. Struve, “Metamorphosis/Fragments”, Herter Art Gallery, University of Massachusetts
Catalogue
1997 Katsumoto Ishizaki, “Yuriko Yamaguchi’s Case: Sora Kakeru Hakubutsukan”, Lady’s Slipper,
September
1997 Shoji Inoue, “The Mysetrious Atmosphere Resembling the Tribal Ceremony, The Arrangement which
Intercommunicates the Human Spirit with Animal World”, Chunichi Shinbun, May 8
1996 Peter Frank, “Art Picks of the Week: Max Weber, Keith Sonnier, Yuriko Yamaguchi”, LA Weekly,
August 16
1995 Gordon Lubold, “Artist Striving for Common Ground: Giving Form to Her Vision”, The Vienna Times,
January 26
1995 Ferdinand Protzman, “Yamaguchi, Looking for the Essentials”, The Washington Post, November 25
1995 Ferdinand Protzman, “Sculpture Shows that Break the Mold”, The Washington Post, October 7
1995 Jura Koncius, “Creative Seating Plans”, Washington Home (cover), Washington Post, June 8
1994 John Dorsey, “Schemata Exhibit is Thoughtful and Satisfying”, Baltimore Sun, September 5
1994 Eugenia E. Skarstrom, “Artists Equity Symposium: Four Artists Four Elements”, Washington Artist
News, Summer
1993 Jean L. Cohen, “Yuriko Yamaguchi”, Art News, September
1993 Jeff Fleming, “Accounts Southeast: Yuriko Yamaguchi”, SECCA, December-February
1993 Eric Gibson, “Sculptural Thought in Yamaguchi’s Exhibit”, The Washington Times, March 25
1993 Brigitte Lindner, “Kunstlerin aus USA in Gastaelier/Artist in Residnece”, Stadkultur, May
1993 Mary McCoy, “Yamaguchi’s Meditations on Life”, The Washington Post, May 29
1993 Tom Patterson, “SECCA Shows Contemplative Mood”, Winston-Salem Journal, January 10
1993 Paulette Roberts-Pullen, “Hands on Experience”, Style Week, January 26
1993 Paul Ryan, “Touch: Beyond the Visual”, Art Papers, October
1993 Margaret Shearin, “In Search of Divine Mysteries”, Style Magazine, January 13
1993 Rex Weil, “Bad Mother: Yuriko Yamaguchi at the Baumgartner Galleries”, Washington City Paper,
March 26
1993 Jane Wilson, “Sculpture’s Springtime Mutations”, The Washington Post, March 20
1992 “Visual Poem about Nature on the Wall”, Asahi Shinbun, January 11
1992 “Yuriko Yamaguchi Exhibition”, Mainichi Shinbun, January 10
1992 “Yuriko Yamaguchi”, Ryusei, March
1992 “Artists Today Exhibition”, Yomiuri Shinbun, December 1
1992 “The 28th Artists Today Exhibition: Questions in Contemporary Issues”, Art, December
1992 “Various Issue Consciousness, Artists Today Exhibition”, Mainichi Shinbun, December 1
1992 “Exhibitions Disclosing the Newest Contemporary Art Expressions”, Art Weekly (Japan), November
1992 “Matured Issue Consciousness”, Tokyo Shinbun, November 27
1992 Leza Lowiz, “Turning the Tables: Two Original Artists”, Asahi Evening News, January 16
1992 Martha McWilliams, “Getting Back to Abstracts”, The Washington City Paper, August 21
1992 Akihika Takami, “Yuriko Yamaguchi, Inax Gallery, Tokyo”, Bijutsu Techo, April
1992 Chikako Tanaba, “Water, Earth, Air, Fire #2″, Nikkei Monthly Image Card, April
1992 Janet Wilson, “Revered Earth at Watkens Art Gallery and Franklin Square”, The Washington Post,
February 22
1992 Toshio Yamanashi, “Toward Things/With Things: Transformation of the Relationship Between Human
Beings and Physical Matter”, The 28th Artists Today Exhibition, November-December
1992 Michael Welzenbach, “Women’s Art Without an Agenda”, The Washington Post, February
1992 Otto E. Eskin, “Without a Sculpture Exhibition”, Baumgartner Galleries, Washington, DC, Sculpture,
May-June
1992 Patrick Finnigan, “Star Search”, Museum & Arts Washington, September-October
1992 Eric Gibson, “Wall Based Sculpture Exhibition Stands Tall”, The Washington Times, November 22
1992 J. W. Mahoney, “Sculptural Languages of Power”, Sculpture, May-June
1992 John Strand, “Four Sculptors at Addison/Ripley”, The Washington Post, November 10
1992 Michael Welzenbach, “Yamaguchi: Wisdom in Wood, At Middendorf, Subtle Slice of Nature”, The
Washington Post, June 23
1989 Lee Fleming, “Nature’s Calling”, City Paper, April 7, 1989
1989 Mohka Laget, “Yuirko Yamaguchi, Middendorf Gallery”, New Art Examiner, Summer
1989 Jo Ann Lewis, “Yamaguchi’s Distinctive Vocabulary”, The Washington Post, April 8
1989 Terry Parmelee, “Yuriko Yamaguchi, New York”, Eye Wash, April
1989 Wray Punch, “Bethesda’s New Direction”, Museum & Arts Washington, November-December
1989 Florence Rubinfield, “Close Encounters”, Museum & Arts Washington, March-April
1989 Mary Swift, “Colden Florance/Architect”, Washington Review, June-July
1988 Daniel Barbiero, “ACC Ten, Arlington Art Center”, New Art Examiner, January
1988 Lenore Miller, “Arlington Art Center: Tenth Anniversary Exhibition Part II”, Washington Review,
February-March
1987 Daniel Barbiero, “Yuriko Yamaguchi, Middendorf Gallery”, New Art Examiner, June
1987 Marlena Donahue, “Avant-Garde in the Eighties”, Sculpture, September-October
1987 Pamela Dessler, “A Show of Hands”, The Washington Post, December 12
1987 Paul Richard, “Yuriko Yamaguchi at Middendorf Gallery”, The Washington Post, March 21
1987 Alice Thorson, “Galleries”, The Washington Times, March 19
1986 Joanna Shaw Eagle, “The Fine Art of Developing Bethesda”, New Art Examiner, November
1986 Margaret Truman, “Murder in Georgetown”, Arbor House
1985 Nicolas Coleman, “Who’s Buying, Who’s Selling”, The Washington Post, September
1985 Benjamin Forgey, “Neighborly Salute the the New”, The Washington Post, June 29
1985 Jo Ann Lewis, “WPA Auction”, The Washington Post, November 9
1985 Jo Ann Lewis, “New Talent”, The Washington Post, November 9
1985 J. W. Mahoney, “New Talent”, New Art Examiner, October
1985 Ann Schecter, “Addison Shows Uniqueness of Ten Artists”, Lowell Sun, October
1985 Linda Thern Smith, “An Interview with Washington Sculptor Yuriko Yamaguchi”, Washington Review,
April-May
1985 Joanna Shaw Eagle, “Poems on the Wall”, Washington Post, July 9
1985 Roberta Smith, “Endless Meaning at the HIrshhorn”, Art Forum, April 1985
1984 Jane Addams Allen, “Three Young Sculptors Show their Best”, The Washington Times
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