2023

Eric Schweitzer, “Japanese artist Yuriko Yamaguchi Makes the Trees Hum, paper city magazine, Houston, TX, Nov.10.2023

Phillip Kennicott, “The Women’s Art Museum is back. It looks good. Is it actually better?” Washington Post, Oct. 20.2023

2022

Willem Pekelder, “After the flood there is always a new beginning,” Trouw Dinsdag, May 10, 2022

2021

• Exposite: Na de zondvloed volgt altijd een nieym begin, TROUW DINSDAG, Marten Boersema, “Na Ons de zondvloed?,” Nederlands Dagblad, August 7
• Masami Momiyama, “The common ground among different people,” Kanagawa Shinbun, August 2
• Jean L Cohen, “Yuriko Yamaguchi, Addison/Ripley Fine Art, Sculpture Magazine June-July issue
• Mark Jenkins, “Linking primeval fables with modern ecological crises, ” Washington Post, May 30
• Mark Jenkins, Delicate works of harmony and balance emulate worthy goals for Humanity,” Washington, Post, November 28

2018

• Marten Boersema, “Na Ons de zondvloed?,” Nederlands Dagblad, August 7
• Akihiko Tozaki, “Comment on Beauty,” December 2, Sankei News paper
• Peter Plagens, “Minimalist Heaven, Electrified Romanticism and Handsome ovals,” The Wall Street Journal, March 14

2014

• Patricia J. Graham, “Japanese Design, Art, Aesthetics & Culture,” Tuttle Publishing Co. Pg. 63
• Dean Nimmer, “Creating Abstract Art”, Pg. 136
• Mark Jenkins, “Galleries: ‘Kaleidoscope,’ ‘Aviary Wonders,’  ‘Interconnected,’ ‘Are You Gonna Eat That?’,” Washington Post, June 6
• Louis Jacobson, “Best of DC, Yuriko Yamaguchi’s Mixed Media Clouds at Adamson Gallery,” City Paper, April 24
• Michael O’Sullivan, “K@20 commemorates the Kreeger Museum’s 20th anniversary with works from local contemporary artists,” Washington Post, March 14
• Cover for “ISSUES” Social Science and Environmental Policy, National Academy of Sciences Features “Nature’s Toolbox,”detail of Yuriko Yamaguchi’s mixed media “Energy,” June

2011

• Robert Morgan, “Yuriko Yamaguchi at Howard Scott Gallery,” Asian Art News, Vol. 21 #6, November/December
• Janet Koplos, “Yuriko Yamaguchi, Howard Scott,” Art in America, November
• Rob Jordan, “Fragile Connection,” Sculpture Magazine, Pg 50-55, May

2008

• Chloe Popescu, “A hidden MASTER,” September 11
• Michael Laris, “Artist Untangles Roots of Creativity,” Washington Post, May 30
• Aneta Georgievska-Shine, “Yuriko Yamaguchi,” Art US Issue 21

2007

• Blake Gopnik, “She Just Felt It in Her Bones,” Washington Post, October 14
• Michael O’Sullivan, “The Quiet Pull of the ‘Bader Fund’ Show,” Washington Post, January 12

2005

• Dan R. Gooddard, “Floating’ Worlds Occupy Gallery Space,” San Antonio Express News, November
• Nord Wennesrstom, “Critics’ Picks: Washington, DC/ Yuriko Yamaguchi,” Art Forum, November
• Jessica Dawson, “Come on In, The Installation’s Fine,” Washington Post, November 19
• Susan Bear, “Painting the town: Washington artists create important works, but often they are better known elsewhere than here at home. Here’s a look at five of the city’s most renowned.” Washingtonian, October
• Jack Fischer, “Natural Acts,” San Jose Mercury, July 3
• Yoko Morihiro, “People: Sculptor Yuriko Yamaguchi,” Hokubeimainichi, July 2
• “Works by Nikkei Artists at Palo Alto Art Center,” Hokubeimainichi, June 17

2004

• “My Favorite Things: From Shape to Shape, Yuriko Yamaguchi, Metamorphosis #95, 98, 99, 97, 101,” Geiyutsu Shinchou
• “Kanji Wakae, Yuriko Yamaguchi: Two Veterans Who Reflect on Our Cultures,” Yomiuri Shinbun
• Haruo Mita, “Today’s Artists IX Kanji Wakae, Yuriko Yamaguchi,” Mainichi Shinbun, September 6
• Kousei Katsura, “Expressing Life Cycle,” Kanagawa Shinbun, September 2
• Fujio Yagyuu, “Art Critique of Kanagawa,” Bunka, September 3

2003

• Paula Owen, “Quotidian Practice, Inordinate Content,” Art Lies 40, Fall
• Sarah Tanguy, “Washington, DC Yuriko Yamaguchi, Numark Gallery,” Sculpture, December
• Joe Shannon, “Yuriko Yamaguchi at Numark,” Art in America, September
• Jessica Dawson, “Yamaguchi’s Tangled ‘Web’, Ensnaring the Imagination,” The Washington Post, May 29
• Joanna Shaw Eagle, “Yamaguchi’s ‘Web’, Numark installation evokes life’s changes,” The Washington Times, May 24

2002

• “Artist Yuriko Yamaguchi’s show to open at Sheehan Gallery,” Marquee, August 28-September 4
• Galleries, Koplin Gallery, Los Angeles, CA, Los Angeles Times, May 30
• Kazuko Nakane, “Installation by Yuriko Yamaguchi,” International Examiner
• Sheila Farr, “Yuriko Yamaguchi spins a web of poetic sculptures,” Seattle Times, February 15

2001

• R. B. Strauss, “July brings no slowdown at DCCA,” Art Matters, July
• Delaware Center for Contemporary Arts, Sunday News Journal, June 24
• “Delaware art center offers variety of exhibits,” Greenvillage Community News, July 17
• Gary Mullinax, “Begin picture-perfect exhibitions tour at DCCA,” Sunday News Journal, July 15

2000

• Deborah McLeod, “Memorable Achievements,” Style Weekly, December 26
• Jiso Komuro, “Yuriko Yamaguchi,” JIS Newsletter
• “Yuriko Yamaguchi: Georgia on My Mind,” Atlanta, GA Sculpture, November
• Jenny Ramirez, “Visual Poetry,” Style Weekly, October 10
• Roy Proctor, “Some smile-producing thought provocative pieces,” Richmond Times, October 8
• Shoichi Inoue, Art Exhibitions Commentary, Summer
• Joanna Shaw Eagle, “Divergent Artistic Views Emerge as Group at Numark,” The Washington Times, July 15
• Sarah Tanguy, “Yuriko Yamaguchi,” Numark Gallery, Sculpture, May
• Shoji Inoue, “Yuriko Yamaguchi’s Exhibition,” Chunichi Shinbun, April 24
• Listed in Who’s Who American and in Women Who’s Who American

1999

• Ferdinand Protzman, “The Form of a Question: Yuriko Yamaguchi’s Enigma Variations,” The Washington Post, September 16
• Joanna Shaw Eagle, “Metamorphosis, Changing as Cycles of Life Progress,” The Washington Times, September 18
• Scarlet Cheng, “Yuriko Yamaguchi: Koplin Gallery, Los Angeles,” Art News, July

1997

• Carol L. Struve, “Metamorphosis/Fragments,” Herter Art Gallery, University of Massachusetts Catalogue
• Katsumoto Ishizaki, “Yuriko Yamaguchi’s Case: Sora Kakeru Hakubutsukan,” Lady’s Slipper, September
• Shoji Inoue, “The Mysetrious Atmosphere Resembling the Tribal Ceremony, The Arrangement which Intercommunicates the Human Spirit with Animal World,” Chunichi Shinbun, May 8

1996

• Peter Frank, “Art Picks of the Week: Max Weber, Keith Sonnier, Yuriko Yamaguchi,” LA Weekly, August 16

1995

• Gordon Lubold, “Artist Striving for Common Ground: Giving Form to Her Vision,” The Vienna Times, January 26
• Ferdinand Protzman, “Yamaguchi, Looking for the Essentials,” The Washington Post, November 25
• Ferdinand Protzman, “Sculpture Shows that Break the Mold,” The Washington Post, October 7
• Jura Koncius, “Creative Seating Plans,”Washington Home (cover),” Washington Post, June 8

1994

• John Dorsey, “Schemata Exhibit is Thoughtful and Satisfying,” Baltimore Sun, September 5
• Eugenia E. Skarstrom, “Artists Equity Symposium: Four Artists Four Elements,” Washington Artist News, Summer

1993

• Jean L. Cohen, “Yuriko Yamaguchi,” Art News, September
• Jeff Fleming, “Accounts Southeast: Yuriko Yamaguchi,” SECCA, December-February
• Eric Gibson, “Sculptural Thought in Yamaguchi’s Exhibit,” The Washington Times, March 25
• Brigitte Lindner, “Kunstlerin aus USA in Gastaelier/Artist in Residnece,” Stadkultur, May
• Mary McCoy, “Yamaguchi’s Meditations on Life,” The Washington Post, May 29
• Tom Patterson, “SECCA Shows Contemplative Mood,” Winston-Salem Journal, January 10
• Paulette Roberts-Pullen, “Hands on Experience,” Style Week, January 26
• Paul Ryan, “Touch: Beyond the Visual,” Art Papers, October
• Margaret Shearin, “In Search of Divine Mysteries,” Style Magazine, January 13
• Rex Weil, “Bad Mother: Yuriko Yamaguchi at the Baumgartner Galleries,” Washington City Paper, March 26
• Jane Wilson, “Sculpture’s Springtime Mutations,” The Washington Post, March 20

1992

• “Visual Poem about Nature on the Wall,” Asahi Shinbun, January 11
• “Yuriko Yamaguchi Exhibition,” Mainichi Shinbun, January 10
• “Yuriko Yamaguchi,” Ryusei, March
• “Artists Today Exhibition,” Yomiuri Shinbun, December 1
• “The 28th Artists Today Exhibition: Questions in Contemporary Issues,” Art, December
• “Various Issue Consciousness, Artists Today Exhibition,” Mainichi Shinbun, December 1
• “Exhibitions Disclosing the Newest Contemporary Art Expressions,” Art Weekly (Japan), November
• “Matured Issue Consciousness,” Tokyo Shinbun, November 27
• Leza Lowiz, “Turning the Tables: Two Original Artists,” Asahi Evening News, January 16
• Martha McWilliams, “Getting Back to Abstracts,” The Washington City Paper, ” August 21
• Akihika Takami, “Yuriko Yamaguchi, Inax Gallery, Tokyo,” Bijutsu Techo, April
• Chikako Tanaba, “Water, Earth, Air, Fire #2,” Nikkei Monthly Image Card, April
• Janet Wilson, “Revered Earth at Watkens Art Gallery and Franklin Square,” The Washington Post, February 22
• Toshio Yamanashi, “Toward Things/With Things: Transformation of the Relationship Between Human Beings and Physical Matter,” The 28th Artists Today Exhibition, November-December
• Michael Welzenbach, “Women’s Art Without an Agenda,” The Washington Post, February
• Otto E. Eskin, “Without a Sculpture Exhibition,” Baumgartner Galleries, Washington, DC, Sculpture, May-June
• Patrick Finnigan, “Star Search,” Museum & Arts Washington,” September-October
• Eric Gibson, “Wall Based Sculpture Exhibition Stands Tall,” The Washington Times, November 22
• J. W. Mahoney, “Sculptural Languages of Power,” Sculpture,” May-June
• John Strand, “Four Sculptors at Addison/Ripley,” The Washington Post, November 10
• Michael Welzenbach, “Yamaguchi: Wisdom in Wood, At Middendorf, Subtle Slice of Nature,” The Washington Post, June 23

1989

• Lee Fleming, “Nature’s Calling,” City Paper, April 7
• Mohka Laget, “Yuirko Yamaguchi, Middendorf Gallery,” New Art Examiner, Summer
• Jo Ann Lewis, “Yamaguchi’s Distinctive Vocabulary,” The Washington Post, April 8
• Terry Parmelee, “Yuriko Yamaguchi, New York,” Eye Wash, April
• Wray Punch, “Bethesda’s New Direction,” Museum & Arts Washington, November-December
• Florence Rubenfeld, “Close Encounters,” Museum & Arts Washington, ” March-April
• Mary Swift, “Colden Florance/Architect,” Washington Review, June-July

1988

• Daniel Barbiero, “ACC Ten, Arlington Art Center,” New Art Examiner, January
• Lenore Miller, “Arlington Art Center: Tenth Anniversary Exhibition Part II,” Washington Review, February-March

1987

• Daniel Barbiero, “Yuriko Yamaguchi, Middendorf Gallery,” New Art Examiner, June
• Marlena Donahue, “Avant-Garde in the Eighties,” Sculpture, September-October
• Pamela Dessler, “A Show of Hands,” The Washington Post, December 12
• Paul Richard, “Yuriko Yamaguchi at Middendorf Gallery,” The Washington Post, March 21
• Alice Thorson, “Galleries,” The Washington Times, March 19

1986

• Joanna Shaw Eagle, “The Fine Art of Developing Bethesda,” New Art Examiner, November
• Margaret Truman, “Murder in Georgetown,” Arbor House

1985

• Nicolas Coleman, “Who’s Buying, Who’s Selling,” The Washington Post, September
• Benjamin Forgey, “Neighborly Salute the New,” The Washington Post, June 29
• Jo Ann Lewis, “WPA Auction,” The Washington Post, November 9
• Jo Ann Lewis, “New Talent,” The Washington Post, November 9
• J. W. Mahoney, “New Talent,” New Art Examiner, October
• Ann Schecter, “Addison Shows Uniqueness of Ten Artists,” Lowell Sun, October
• Linda Thern Smith, “An Interview with Washington Sculptor Yuriko Yamaguchi,” Washington Review, April-May
• Joanna Shaw Eagle, “Poems on the Wall,” Washington Post, July 9
• Roberta Smith, “Endless Meaning at the Hirshhorn,” Art Forum, April

1984

• Jane Addams Allen, “Three Young Sculptors Show their Best,” The Washington Time