2011       Robert Morgan, “Yuriko Yamaguchi at Howard Scott Gallery,” Asian Art News, Vol.21 Num6, Nov/Dec
2011       Janet Koplos, “Yuriko Yamaguchi, Howard Scott,” Art in America,  Nov. 2011
2011       Rob Jordan, “Fragile Connection”, Sculpture Magazine, Pg50-55, May issue
2008       Chloe Popescu, “ A hidden MASTER”,  Hatchet,  September 11, 2008
2008        Michael Laris, “Artist Untangles Roots of Creativity”, Washington Post, May 30
2008        Aneta Georgievska-Shine, “Yuriko Yamaguchi”, Art US Issue 21
2007        Blake Gopnik, “She Just Felt It In Her Bones”, Washington Post, October 14
2007        Michael O’Sullivan, “The Quiet Pull of the ‘Bader Fund’ Show”, Washington Post, January 12
2005        Dan R. Gooddard, “‘Floating’ Worlds Occupy Gallery Space”, San Antonio Express News, November
2005        Nord Wennesrstom, “Critics Picks: Washington, DC/ Yuriko Yamaguchi”, Art Forum, November
2005        Jessica Dawson, “Come On In, The Installation’s Fine”, Washington Post, November 19
2005        Susan Bear, “Painting the town: Washington artists create important works, but often they are better
known elsewhere than here at home. Here’s a look at five of the city’s most renowned.”
Washingtonian, October
2005        Jack Fischer, “Natural Acts”, San Jose Mercury, July 3
2005        Yoko Morihiro, “People: Sculptor Yuriko Yaaguchi”, Hokubeimainichi, July 2
2005        “Works by Nikkei Artists at Palo Alto Art Center”, Hokubeimainichi, June 17
2004        “My Favorite Things: From Shape to Shape, Yuriko Yamaguchi, Metamorphosis #95, 98, 99, 97, 101″,
Geiyutsu Shinchou
2004        “Kanji Wakae, Yuriko Yamaguchi: Two Veterans Who Reflect on Our Cultures”, Yomiuri Shinbun
2004        Haruo Mita, “Today’s Artists IX Kanji Wakae, Yuriko Yamaguchi”, Mainichi Shinbun, September 6
2004        Kousei Katsura, “Expressing Life Cycle”, Kanagawa Shinbun, September 2
2004        Fujio Yagyuu, “Art Critique of Kanagawa”, Bunka, September 3
2003        Paula Owen, “Quotidian Practice, Inordinate Content”, Art Lies 40, Fall 2003
2003        Sarah Tanguy, “Washington, DC Yuriko Yamaguchi, Numark Gallery”, Sculpture, December
2003        Joe Shannon, “Yuriko Yamaguchi at Numark”, Art in America, September
2003        Jessica Dawson, “Yamaguchi’s Tangled ‘Web’, Ensnaring the Imagination”, The Washington Post,
May 29
2003        Joanna Shaw Eagle, “Yamaguchi’s ‘Web’, Numark installation evokes life’s changes”, The
Washington Times, May 24
2002        “Artist Yuriko Yamaguchi’s show to open at Sheehan Gallery”, Marquee, August 28-September 4
2002        Galleries, Koplin Gallery, Los Angeles, CA, Los Angeles Times, May 30
2002        Kazuko Nakane, “Installation by Yuriko Yamaguchi”, International Examiner
2002        Sheila Farr, “Yuriko Yamaguchi spins a web of poetic sculptures”, Seattle Times, February 15
2001        R. B. Strauss, “July brings no slowdown at DCCA”, Art Matters, July
2001        Delaware Center for Contemporary Arts, Sunday News Journal, June 24
2001        “Delaware art center offers variety of exhibits”, Greenvillage Community News, July 17
2001        Gary Mullinax, “Begin picture-perfect exhibitions tour at DCCA”, Sunday News Journal, July 15
2000        Deborah McLeod, “Memorable Achievements”, Style Weekly, December 26
2000        Jiso Komuro, “Yuriko Yamaguchi”, JIS Newsletter
2000        “Yuriko Yamaguchi: Georgia on My Mind”, Atlanta, GA Sculpture, November
2000        Jenny Ramirez, “Visual Poetry”, Style Weekly, October 10
2000        Roy Proctor, “Some smile-producing thought provocative pieces,” Richmond Times, October 8
2000        Shoichi Inoue, Art Exhibitions Commentary, Summer
2000        Joanna Shaw Eagle, “Divergent Artistic Views Emerge as Group at Numark”, The Washington Times,
July 15
2000        Sarah Tanguy, “Yuriko Yamaguchi”, Numark Gallery, Sculpture, May
2000        Shoji Inoue, “Yuriko Yamaguchi’s Exhibition”, Chunichi Shinbun, April 24
2000        Listed in Who’s Who American and in Women Who’s Who American
1999        Ferdinand Protzman, “The Form of a Question: Yuriko Yamaguchi’s Enigma Variations”, The
Washington Post, September 16
1999        Joanna Shaw Eagle, “Metamorphosis, Changing as Cycles of Life Progress”, The Washington Times,
September 18
1999        Scarlet Cheng, “Yuriko Yamaguchi: Koplin Gallery, Los Angeles”, Art News, July
1997        Carol L. Struve, “Metamorphosis/Fragments”, Herter Art Gallery, University of Massachusetts
1997        Katsumoto Ishizaki, “Yuriko Yamaguchi’s Case: Sora Kakeru Hakubutsukan”, Lady’s Slipper,
1997        Shoji Inoue, “The Mysetrious Atmosphere Resembling the Tribal Ceremony, The Arrangement which
Intercommunicates the Human Spirit with Animal World”, Chunichi Shinbun, May 8
1996        Peter Frank, “Art Picks of the Week: Max Weber, Keith Sonnier, Yuriko Yamaguchi”, LA Weekly,
August 16
1995        Gordon Lubold, “Artist Striving for Common Ground: Giving Form to Her Vision”, The Vienna Times,
January 26
1995        Ferdinand Protzman, “Yamaguchi, Looking for the Essentials”, The Washington Post, November 25
1995        Ferdinand Protzman, “Sculpture Shows that Break the Mold”, The Washington Post, October 7
1995        Jura Koncius, “Creative Seating Plans”, Washington Home (cover), Washington Post, June 8
1994        John Dorsey, “Schemata Exhibit is Thoughtful and Satisfying”, Baltimore Sun, September 5
1994        Eugenia E. Skarstrom, “Artists Equity Symposium: Four Artists Four Elements”, Washington Artist
News, Summer
1993        Jean L. Cohen, “Yuriko Yamaguchi”, Art News, September
1993        Jeff Fleming, “Accounts Southeast: Yuriko Yamaguchi”, SECCA, December-February
1993        Eric Gibson, “Sculptural Thought in Yamaguchi’s Exhibit”, The Washington Times, March 25
1993        Brigitte Lindner, “Kunstlerin aus USA in Gastaelier/Artist in Residnece”, Stadkultur, May
1993        Mary McCoy, “Yamaguchi’s Meditations on Life”, The Washington Post, May 29
1993        Tom Patterson, “SECCA Shows Contemplative Mood”, Winston-Salem Journal, January 10
1993        Paulette Roberts-Pullen, “Hands on Experience”, Style Week, January 26
1993        Paul Ryan, “Touch: Beyond the Visual”, Art Papers, October
1993        Margaret Shearin, “In Search of Divine Mysteries”, Style Magazine, January 13
1993        Rex Weil, “Bad Mother: Yuriko Yamaguchi at the Baumgartner Galleries”, Washington City Paper,
March 26
1993        Jane Wilson, “Sculpture’s Springtime Mutations”, The Washington Post, March 20
1992        “Visual Poem about Nature on the Wall”, Asahi Shinbun, January 11
1992        “Yuriko Yamaguchi Exhibition”, Mainichi Shinbun, January 10
1992        “Yuriko Yamaguchi”, Ryusei, March
1992        “Artists Today Exhibition”, Yomiuri Shinbun, December 1
1992        “The 28th Artists Today Exhibition: Questions in Contemporary Issues”, Art, December
1992        “Various Issue Consciousness, Artists Today Exhibition”, Mainichi Shinbun, December 1
1992        “Exhibitions Disclosing the Newest Contemporary Art Expressions”, Art Weekly (Japan), November
1992        “Matured Issue Consciousness”, Tokyo Shinbun, November 27
1992        Leza Lowiz, “Turning the Tables: Two Original Artists”, Asahi Evening News, January 16
1992        Martha McWilliams, “Getting Back to Abstracts”, The Washington City Paper, August 21
1992        Akihika Takami, “Yuriko Yamaguchi, Inax Gallery, Tokyo”, Bijutsu Techo, April
1992        Chikako Tanaba, “Water, Earth, Air, Fire #2″, Nikkei Monthly Image Card, April
1992        Janet Wilson, “Revered Earth at Watkens Art Gallery and Franklin Square”, The Washington Post,
February 22
1992        Toshio Yamanashi, “Toward Things/With Things: Transformation of the Relationship Between Human
Beings and Physical Matter”, The 28th Artists Today Exhibition, November-December
1992        Michael Welzenbach, “Women’s Art Without an Agenda”, The Washington Post, February
1992        Otto E. Eskin, “Without a Sculpture Exhibition”, Baumgartner Galleries, Washington, DC, Sculpture,
1992        Patrick Finnigan, “Star Search”, Museum & Arts Washington, September-October
1992        Eric Gibson, “Wall Based Sculpture Exhibition Stands Tall”, The Washington Times, November 22
1992        J. W. Mahoney, “Sculptural Languages of Power”, Sculpture, May-June
1992        John Strand, “Four Sculptors at Addison/Ripley”, The Washington Post, November 10
1992        Michael Welzenbach, “Yamaguchi: Wisdom in Wood, At Middendorf, Subtle Slice of Nature”, The
Washington Post, June 23
1989        Lee Fleming, “Nature’s Calling”, City Paper, April 7, 1989
1989        Mohka Laget, “Yuirko Yamaguchi, Middendorf Gallery”, New Art Examiner, Summer
1989        Jo Ann Lewis, “Yamaguchi’s Distinctive Vocabulary”, The Washington Post, April 8
1989        Terry Parmelee, “Yuriko Yamaguchi, New York”, Eye Wash, April
1989        Wray Punch, “Bethesda’s New Direction”, Museum & Arts Washington, November-December
1989        Florence Rubinfield, “Close Encounters”, Museum & Arts Washington, March-April
1989        Mary Swift, “Colden Florance/Architect”, Washington Review, June-July
1988        Daniel Barbiero, “ACC Ten, Arlington Art Center”, New Art Examiner, January
1988        Lenore Miller, “Arlington Art Center: Tenth Anniversary Exhibition Part II”, Washington Review,
1987        Daniel Barbiero, “Yuriko Yamaguchi, Middendorf Gallery”, New Art Examiner, June
1987        Marlena Donahue, “Avant-Garde in the Eighties”, Sculpture, September-October
1987        Pamela Dessler, “A Show of Hands”, The Washington Post, December 12
1987        Paul Richard, “Yuriko Yamaguchi at Middendorf Gallery”, The Washington Post, March 21
1987        Alice Thorson, “Galleries”, The Washington Times, March 19
1986        Joanna Shaw Eagle, “The Fine Art of Developing Bethesda”, New Art Examiner, November
1986        Margaret Truman, “Murder in Georgetown”, Arbor House
1985        Nicolas Coleman, “Who’s Buying, Who’s Selling”, The Washington Post, September
1985        Benjamin Forgey, “Neighborly Salute the the New”, The Washington Post, June 29
1985        Jo Ann Lewis, “WPA Auction”, The Washington Post, November 9
1985        Jo Ann Lewis, “New Talent”, The Washington Post, November 9
1985        J. W. Mahoney, “New Talent”, New Art Examiner, October
1985        Ann Schecter, “Addison Shows Uniqueness of Ten Artists”, Lowell Sun, October
1985        Linda Thern Smith, “An Interview with Washington Sculptor Yuriko Yamaguchi”, Washington Review,
1985        Joanna Shaw Eagle, “Poems on the Wall”, Washington Post, July 9
1985        Roberta Smith, “Endless Meaning at the HIrshhorn”, Art Forum, April 1985
1984        Jane Addams Allen, “Three Young Sculptors Show their Best”, The Washington Times